Monday, May 17, 2010

Sonnets








Outreach Director Caroline Brent on the Sonnets: 

When Elizabeth and I were first planning this showcase, we knew that we wanted it to be about strength. Most of our choices in sonnets focus on overcoming obstacles, Sonnet 66 especially. Sonnet 66 is an expression of the trials and tribulations one has to forge through in order to do what one loves. The line “And simple truth miscalled simplicity” has always stuck out to me because it carries so much weight. I think that there are plenty of simple truths out there that are incredibly complicated. Some of the simplest things, like telling someone you love them, are often the most complex and the most difficult to say. I think sometimes as a woman in the arts it is easy to be pigeonholed or compartmentalized, and we are always striving to break out of that. We need to show people all of the layers and facets that we as artists bring to our work.

 Tired with all these, for restful death I cry,
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And guilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled,
And art made tongue-tied by authority,
And folly doctor-like controlling skill,
And simple truth miscall'd simplicity,
And captive good attending captain ill:
   Tired with all these, from these would I be gone,
   Save that, to die, I leave my love alone. 

Sonnet 140 really stood out to us because of its emphasis on teaching and learning and the blurred line between the two. The final line pulls everything together – you have to be strong and continue on while still carrying an awareness of the world around you, even if your path ends up being very narrow. We all face times when we feel that “this ill-wresting world is grown so bad”, but what is most important is that we do not forget all the spirit and joy that remains close by.

Be wise as thou art cruel; do not press
My tongue-tied patience with too much disdain;
Lest sorrow lend me words and words express
The manner of my pity-wanting pain.
If I might teach thee wit, better it were,
Though not to love, yet, love, to tell me so;
As testy sick men, when their deaths be near,
No news but health from their physicians know;
For if I should despair, I should grow mad,
And in my madness might speak ill of thee:
Now this ill-wresting world is grown so bad,
Mad slanderers by mad ears believed be,
That I may not be so, nor thou belied,
Bear thine eyes straight, though thy proud heart go wide.

Friday, May 14, 2010

Poster Art

Lee Havlicek on the poster:


I took this photo a few months ago and it has been kicking around in my brain ever since. The poster is actually a crop of a larger photo. There's not any truly solid reason why I should like it as much as I do, but it's one of my favorites.  I really like her expression- particularly her eyes and how bright they are, as well as the patch of light on the wall behind her, which is a little harder to see in the poster because I played around with the image a bit. I also think a person's hands are one of the most interesting parts of their body- hands and eyes, really. So the fact that you can see both in this photo and that they say a lot about someone catches my attention. The light and the fact that there's something a little bit off about the photo- a little unpolished are what I like most in it. Those are really two things that I love about photography- catching moments of light and moments that are in-between- that aren't constructed or purposefully projected. Those are the photos that really mean something to me. I showed this poster and a few others that I created, some shot specifically for the show, to a bunch of people and nearly everyone I showed the different options to picked this particular one. Everyone saw something a little different in it. Didactic art is nearly as interesting or effecting, so to me, that's really important- even in a poster. 

Thursday, May 13, 2010

Women We Admire


In addition to being a Fundraising Event for Susan G Komen, Miscalled Simplicity is also participating in a VA State Wide celebration called Mind's Wide Open which "honor[s] contributions by women to arts and culture.

EC Company Members and Actors were asked to briefly respond to the following question: Who is a woman in the Arts who has or is an inspiration to you? 


Katie Logan, Empty Chair's Head of Education, was the first to respond: 

This year, Kathryn Bigelow became the first woman in the Academy's 82-year lifespan to take home the Oscar for Best Director.  Sure, the media can spin her success in the most delectable of ways: "Female Director bests co-nominee and ex-husband to make Oscar history." The artist who took the stage to accept this honor, however, spoke poignantly about the film she had created. Rather than writing a storyline for herself, Bigelow focused on the story she and her team told in The Hurt Locker. Her unique treatment of war--a topic so often off-limits to women in the arts--quietly reminded us that conflict affects everyone, men and women on both sides of the fighting. The Hurt Locker's protagonists defuse bombs for the U.S. military; Bigelow nonetheless insists on portraying the Iraqis in the film as the humans they are. Spending months in Jordan with her production team, she took the time to understand how it feels to live a daily routine in the midst of violence. The ferocity and intensity of her finished product is matched only by its astute observations and almost lyrical storytelling. 

I admire Kathryn Bigelow for her willingness to let a single image say more than a page of words ever could. I admire her dedication to a project with a difficult shoot and a limited budget. And, perhaps most importantly, I admire her refusal to win and succeed simply as a "Female Director." She reminds us that "Storyteller" is a gender, age, and ethnicity-neutral profession.


Keep checking back for more on ladies that inspire us ! 

Meet and Actor: Patrick Barrett


We are pleased to Welcome Patrick! He's a new addition to TEAM MISCALLED SIMPLICITY ! 

Age: 23
Hometown: Falls Church, VA
Education: B.A. in History, Columbia University

Have you ever been involved with the company before?
No, but I've had the pleasure of working with some of Empty Chair's talented artists in other shows, and have come to see a number of Empty Chair productions.

What about this project excited you?
Shakespeare.  You can't do better than that.

What pieces are you working on for the show?
I'll be performing Clarence in Henry VI and Benedick in a scene from Much Ado.

Tell us a little about you:
The first role that got me into theater was Orsino in Twelfth Night, which I played (terribly, I'm sure) in the seventh grade.  Since then I've done a lot of work by more modern authors: from Stoppard and Pinter to Athol Fugard and work by emerging artists, but it's always good to come back to Shakespeare. To sort of drink from the well and be affirmed in your belief that the theater means something and is always worth the effort.

Favorite previous roles include: Javert in Les Miserables, Henry in The Real Thing, Hal in Proof, Brutus in Julius Caesar

Sunday, May 9, 2010

Poster





Since we've posted one of the Susan G Komen posters, here is one of our own. 
Designed by cast member Lee Havlicek

Friday, May 7, 2010

Meet an Actor Samantha Sheahan

Samantha Sheahan
Age:19
Hometown: Arlington, VA
Education: pursuing a B.A. at Kenyon College

Have you been involved with the company before? If so, in what capacity? I performed in King Lear and Measure for Measure during Empty Chair's 2009 season: as Regan and a knight in King Lear, and as Escalus and ensemble in Measure for Measure.

What about this project excites you? I'm really interested in theater for social change, and thinking about studying abroad for it. To participate in a project that's going to use theater to create change is really exciting for me!

What pieces are you working on for the show? I will be performing in The Taming of the Shrew as Katarina, in Twelfth Night as Viola, and in Henry VI, Part 1 as Reignier.

Tell us a little about you:
I'm at a tiny school in the middle of some cow pastures right now studying psychology, drama, and cultural anthropology. I've lived most of the rest of my life in Arlington, VA. I took a gap year last year, during which I made a three-month service trip to Ghana. A couple years back, I got the chance to play Sarah in the Keegan Theatre's production of Translations, which received a Helen Hayes Awards nomination for Outstanding Ensemble. My favorite Shakespearean roles have been Lady Macbeth in Macbeth, Hermia in A Midsummer Night's Dream, and Baptista/Alice in The Taming of the Shrew. I attended HB-Woodlawn Secondary Program for high school, where I met Elizabeth. During the summers of those years, I got my ensemble training from Traveling Players Ensemble, a local outdoor theatre camp for teens. I'm excited to be working with Empty Chair once again!

Saturday, May 1, 2010

Facts and a HOORAY!

The HOORAY first: Miscalled Simplicity has received its first Online DONATION!!!!
 I feel like we are officially moving toward achieving our goal of $2000 for the cure. 

Now Facts: 
While piddling around on the Susan G Komen website (like i do)
I found these great Facts about Breast Health and thought i would share them.
These are also available on the Susan G Komen website 
Best, 
Natasha